http://www.lemac.com.au/site/DefaultSite/filesystem/images/sony/fx9_kit.jpg The PXW-FX9K features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. A Sony 28-135mm f/4 G OSS E-mount zoom lens is included, which covers full-frame format and features an f/4 to f/22 aperture range.

SEARCH SHOP

CLOSE

THIS ITEM IS CURRENTLY AVAILABLE FOR PRE-ORDER ONLY

Please Note:

This is a $2,200 deposit to secure your place in the queue. You will be contacted closer to the delivery date, to complete payment.

Sony PXW-FX9 with 28-135mm Lens - Pre-Order Deposit

Item Code: SOC/PXWFX9K

Sony

The PXW-FX9K features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. A Sony 28-135mm f/4 G OSS E-mount zoom lens is included, which covers full-frame format and features an f/4 to f/22 aperture range.

Pre-order now!

Total Price:

$22,295

  • Qty:
  • Price:
    $2,200.00
    inc. GST

Sony 28-135mm f/4 G OSS Lens

Beautifully matched shooting partners

Optimised for professional cinematography applications, the light, compact, 28-135mm powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.

  • Circular aperture with full-frame image circle format
  • Motorised servo zoom for smooth, precise zoom moves
  • Independent three rings for focus, zoom and iris with smooth, silent drive

A full frame G Lens for serious moviemaking

High-resolution movie formats impose exacting performance standards, and this powered zoom really delivers with the precision and quality that 4K and higher formats demand.

Smooth Motion Optics satisfy pro needs

Lens requirements for moviemaking are demanding. Sony Smooth Motion Optics ensure minimal focus breathing, quiet operation, and other qualities that are essential for movies.

Smooth, quiet powered zoom

Quiet operation is a priority for professional movie shooting, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet powered zooming.

Small and light for better handling

A compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.

Sony FX9 Full Frame Camera

Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

Full-frame creativity

Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.

Capturing the impossible

Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications.

Shoot in comfort, expand your horizons

FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9.

*As of September 2019

6K Full-Frame “Exmor R” sensor for stunning picture quality

The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.
4K Super 35

Super35 17:9 mode with PXW-FS7M2.

6K full-frame

Full-frame 17:9 mode with PXW-FX9.

“Exmor” CMOS sensor

Conventional front-illuminated sensor as used in FS7 II

“Exmor R” CMOS sensor

Back illuminated sensor as used in FX9

Phenomenal 15+ stops dynamic range for limitless expression

FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.

* RAW recording requires future firmware release and external recorder.

Dual Base ISO for stunning images in any light

FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.

*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.

Lens Specifications

Mount Sony E-mount
Format 35mm full frame
Focal-Length (mm) 28-135mm
Focal Length (35mm) (APS-C) 42-202.5mm
Lens Groups / Elements 12/18
Angle of View (35mm) 75°-18°
Angle of View (APS-C) 54°-12°
Maximum aperture (F) 4
Minimum Aperture (F) 22
Aperture Blades 9
Circular Aperture Yes
Minimum Focus Distance 0.4 (Wide)-0.95m (Tele) (AF/MF) / 0.95m (Full MF) (1.31 (Wide)-3.12ft (Tele) (AF/MF) / 3.12 ft (Full MF))
Maximum Magnification ratio (x) 0.15x
Filter Diameter (mm) 95mm
Image stabilization (SteadyShot) Optical SteadyShot™
Zoom system Power zoom / Manual zoom
Dimensions (Diameter x Length) 105 x 162.5mm (4 x 6-1/2in.)
Weight 1215g (42.9oz.) (Without tripod mount)

Camera Specifications

General

Mass Approx 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)
Dimensions (W x H x D) 146 x 142.5 x 229 mm (body without protrusions)
Power Requirements DC 19.5V
Power Consumption Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time Approx. 54min. with BP-U35 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

Approx. 108min. with BP-U70 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video)
[XAVC Intra]
XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
  XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
  XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
  XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
  XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
  XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
  XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
  XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
  XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
  XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
Recording Format (Video)
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
  XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
  XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
  XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
  XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC
Recording Format (Video)
[MPEG-2 Long GOP]
MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate [XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
[XAVC Long]
XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920 x 1080, 1280 x 720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 25 mode:1920 x 1080/59.94i, 50
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi
Recording/Playback Time
[XAVC Intra]
XAVC-I QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB): Approx. 10 minutes
  XAVC-I QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB): Approx. 13 minutes
  XAVC-I QFHD 29.97p
When using QD-G128A (128 GB): Approx. 43 minutes
When using QD-G64A (64 GB): Approx. 21 Minutes
  XAVC-I QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB): Approx. 25 Minutes
  XAVC-I QFHD 23.98p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 Minutes
  XAVC-I HD 59.94p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 28 Minutes
  XAVC-I HD 50p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 27 Minutes
  XAVC-I HD 59.94i/29.97p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes
  XAVC-I HD 50i/25p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes
  XAVC-I HD 23.98p
When using QD-G128A (128 GB): Approx. 130 minutes
When using QD-G64A (64 GB): Approx. 65 Minutes
Recording/Playback Time
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes
When using QD-G64A (64 GB): Approx. 62 Minutes
  XAVC-L QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 86 minutes
When using QD-G64A (64 GB): Approx. 42 Minutes
  XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 225 minutes
When using QD-G64A (64 GB): Approx. 110 Minutes
  XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 305 minutes
When using QD-G64A (64 GB): Approx. 150 Minutes
  XAVC-L HD 25 59.94i/50i
When using QD-G128A (128 GB): Approx. 410 minutes
When using QD-G64A (64 GB) Approx. 200 Minutes
Recording/Playback Time
[MPEG-2 Long GOP]
MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes
When using QD-G64A (64 GB): Approx. 105 Minutes
Recording Format (Proxy Audio) XAVC Proxy: AAC-LC, 128 kbps, 2 channels
Recording Format (Proxy Video) XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps
1280 x 720, 9Mbps
1280 x 720, 6Mbps
640 x 360, 3Mbps