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Fujifilm GFX Eterna 55 Cinema Camera (G Mount + PL Mount)

Code: FPF/74505

Available for Pre-Order

$25,999.00

Shipping: November 2025

At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.

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What's In The Box?

  • GFX ETERNA 55 Cinema Camera
  • NP-W235 Lithium-Ion Battery
  • AC-15VS AC Power Adapter
  • AC Cable
  • Body Cap
  • Top Handle
  • 5" Touchscreen LCD Monitor
  • LCD Monitor Hood
  • LCD Monitor Mount
  • ARRI PL-Mount Adapter
  • FUJIFILM GFX ETERNA 55 – Designed for Filmmakers, Built Around a Large Format Sensor

    At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.

    Smooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.

    Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise.

    Skin tones are recorded with delicate precision, preserving their natural feel.

    GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.


    The Fujifilm Look

    Building on over 90 years of Fujifilm’s pioneering film colour science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.

    GFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.

    Unleashing the Film Stocks

    GFX ETERNA 55 features 20 Film Simulation modes.

    Plus, by utilising Fujifilm’s proprietary wide dynamic range, wide-gamut F-Log2 C/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs* that replicate Fujifilm’s iconic film stocks in the digital format.

    From Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool – rekindling the distinct Memory Colour that has long been admired in photography.

    This goes beyond simple colour grading.

    It’s digital storytelling infused with the rich heritage and expressive depth of analogue film.

    *PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Std, Classic Neg., ETERNA/Cinma, ETERNA BLEACH BYPASS, and ACROS

    SENSOR SIZE

    43.8mm X 32.9mm

    Approx. x1.7 the Size of Full Frame

    Electronic Variable ND Filter

    GFX ETERNA 55 features a built-in electronic variable ND filter designed specifically for its large format sensor. With a range from ND0.6 to 2.1, it provides up to seven stops of light reduction with smooth, precise control in increments as fine as ND0.015. Thanks to Fujifilm’s proprietary precision engineering, this filter allows seamless and highly accurate density adjustments with minimal colour shift –even during movie recording.

    By instantly adapting to changing lighting conditions on set, it enables filmmakers to dial in their intended exposure swiftly, greatly enhancing efficiency.

    Dual Base ISO

    GFX ETERNA 55’s large format sensor, measuring 44x33mm, is approximately 1.7 times larger than a typical full-frame sensor. Its dual base ISOs of 800 and 3200 maximise performance, delivering smooth tonal gradations and exceptional low-noise capabilities. Even in challenging lighting conditions like shadows, backlighting, and nighttime scenarios, it minimises the digital noise often associated with such conditions, faithfully recording the atmosphere of the scene. GFX ETERNA 55’s sensor is set to become a new well of inspiration for filmmakers.

    Dynamic Range

    GFX ETERNA 55’s wide range Log gamma, F-Log2 C, enables the large format sensor to achieve over 14 stops* of dynamic range. From deep shadows to bright highlights, it records the subtle nuances of light without compromise, allowing precise adjustments aligned with the creator’s vision in post-production. Combined with its wide colour gamut recording, this opens up virtually unlimited possibilities for expression in colour and contrast.

    *When recorded in F-Log2 C, according to Fujifilm Internal testing.

    Optical Low-Pass Filter

    GFX ETERNA 55’s large format sensor is equipped with a specially designed optical low-pass filter (OLPF) that’s optimised for filmmaking. It employs a four-point separation method effectively reducing moiré and false colours. With a focus on the soft and refined image quality demanded by cinematic expression, GFX ETERNA 55 achieves highly detailed footage that maintains a pleasing smoothness without excessive sharpness.

    Autofocus

    With a GF Lens attached, GFX ETERNA 55 delivers highly accurate autofocus. The autofocus algorithm leverages the same advanced technology found in FUJIFILM GFX100 II, using deep-learning-based subject detection to quickly and precisely analyse scenes. This enables the camera to maintain sharp focus, even with the large format sensor’s characteristic shallow depth-of-field. Pair it with the new FUJINON GF32-90mmT3.5 PZ OIS WR, and you get enhanced flexibility and responsiveness on set – an indispensable companion for any filmmaker.

    Various Formats

    GFX ETERNA 55 supports 4:3 Open Gate recording, fully utilising the expansive imaging area of its large format sensor.

    In addition to FUJINON GF and Premista lenses, it also supports 8K/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.

    Combining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.

    Anamorphic Ready

    GFX ETERNA 55’s large format 4:3 sensor is ideal for the unique cinematic qualities of anamorphic lenses.

    The elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.

    By combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.

    Codec

    Apple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.

    It offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and colour of its large format sensor in formats optimised for any scenario.

    Whether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects,

    GFX ETERNA 55’s versatility makes it an ideal tool across genres.

    Ready for Filmmaking

    A design that elevates the creative drive of every filmmaker.

    Constructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.

    Every detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness.

    The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.

    PL Mount Adapter

    In addition to the standard G Mount, GFX ETERNA 55 comes supplied with PL Mount Adapter G, allowing immediate use of PL Mount lenses without the need for additional accessories. The camera’s essence lies in honouring the creative aesthetic that lenses – including anamorphic ones – bring to your work.

    5.0-inch Large LCD Monitor

    Equipped with a 5.0-inch display, this camera boasts a high-resolution panel with 6.22 million dots, making it remarkably easy to check focus and colour accuracy – crucial for precise decisions on set.

    With a 2000-nit brightness, the screen remains clear and visible even under bright outdoor lighting or harsh backlight. The display latency is reduced to an absolute minimum for smooth real-time monitoring and focus control, without lag or frustration. Moreover, the proprietary colour reproduction technology ensures faithful and consistent colour rendering, for easy calibration that helps maintain colour integrity throughout recording and post-production.

    Dedicated Handle

    A dedicated handle is included, designed for both ease of use and advanced functionality. On the side of the handle is a dial for focus, zoom, or iris control. When paired with electronically controlled lenses, these dials enable smooth, precise adjustments for real-time fine-tuning. Switching the dial to the ND setting allows you to smoothly adjust the density of the electronic variable ND filter on the fly. The handle base features a sliding rail syste, allowing for quick and effortless repositioning of the balance point to accommodate changes in overall weight when attaching batteries or lenses.


    Imaging
    Lens Mount FUJIFILM G with Included PL Mount Adapter
    Lens Communication Yes
    Image Sensor 43.8 x 33.9 mm (Large Format) CMOS
    Sensor Resolution Effective: 102 Megapixel
    Image Stabilization No
    Built-In ND Filter 2 to 7 Stop Electronic ND Filter
    Built-In CC Filter No
    Internal Filter Holder No
    Capture Type Stills & Video
    Exposure Control
    Shutter Type Electronic Rolling Shutter 
    Shutter Speed 1/8000 to 1/8 Second
    Shutter Angle 5.6 to 360°
    ISO/Gain Sensitivity Dual Base: 800 / 3200
    Native: 400 to 12,800 (100 to 25,600 Extended)
    Signal-to-Noise Ratio Not Specified by Manufacturer
    Advertised Dynamic Range 14 Stops
    White Balance Range: 2000 to 11,000K
    Presets: Auto, Custom
    Exposure Modes Auto
    Focus
    Focus Mode Automatic, Manual Focus
    Autofocus Sensitivity -2 to +1 EV
    Video Capture
    Internal Recording H.265 ALL-Intra/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT
    8192 x 4320 at 23.98/24.00 fps [50 to 720 Mb/s]
    7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
    6382 x 3590 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
    4664 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s]
    4040 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s]
    4776 x 3184 at 23.98/24.00 fps [50 to 720 Mb/s]
    8192 x 2968 at 23.98/24.00 fps [50 to 720 Mb/s]
    3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps [50 to 720 Mb/s]
    5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
    4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
    5824 x 2436 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
    DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s]
    3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s]
    2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s]
    1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] 
    H.265 Long GOP/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT/XF-HEVC S Long GOP
    8192 x 4320 at 23.98/24.00 fps [50 to 200 Mb/s]
    7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
    6382 x 3590 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
    4664 x 3380 at 23.98/24.00 fps [50 to 200 Mb/s]
    4040 x 3380 at 23.98/24.00 fps [50 to 200 Mb/s]
    4776 x 3184 at 23.98/24.00 fps [50 to 200 Mb/s]
    8192 x 2968 at 23.98/24.00 fps [50 to 200 Mb/s]
    3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps [50 to 200 Mb/s]
    5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
    4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
    5824 x 2436 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
    DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s]
    3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s]
    2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s]
    1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 
    Video Output SDI/BNC
    3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    3680 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    4:2:2 10-Bit via HDMI
    8192 x 4320 at 23.98/24.00 fps
    7680 x 4320 at 23.98/24.00/25/29.97 fps
    6382 x 3590 at 23.98/24.00/25/29.97 fps
    4664 x 3380 at 23.98/24.00 fps
    4040 x 3380 at 23.98/24.00 fps
    4776 x 3184 at 23.98/24.00 fps
    8192 x 2968 at 23.98/24.00 fps
    3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps
    5440 x 2868 at 23.98/24.00/25/29.97 fps
    5440 x 2868 at 23.98/24.00/25/29.97 fps
    4776 x 2688 at 23.98/24.00/25/29.97 fps
    5824 x 2436 at 23.98/24.00/25/29.97 fps
    DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    2048 x 1080 at 23.98/24.00/25/47.95/48.00/50/59.94 fps
    1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
    Fast-/Slow-Motion Support Yes
    Gamma Curve FUJIFILM F-Log2, FUJIFILM F-Log2 C
    Built-In Microphone Stereo
    Audio Recording MOV: 2-Channel, 24-Bit at 48 kHz via LPCM Audio
    Interface
    Media/Memory Card Slot Single Slot: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended]
    Single Slot: CFexpress Type B [2 TB Maximum]
    Internal Storage No
    Video I/O 1x BNC (12G-SDI) Output
    1x HDMI 2.1 Output
    Audio I/O 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
    1x 1/8" / 3.5 mm TRS Stereo Input
    Power I/O 1x LEMO 4-Pin Input
    1x LEMO 2-Pin Output
    Other I/O 1x 2.5 mm Sub-Mini (Remote)
    1x BNC (Timecode) Input/Output
    1x BNC (Genlock)
    1x 12-Pin (Lens Control)
    1x RJ45 (Ethernet)
    Wireless 802.11a/b/g Wi-Fi / Bluetooth LE
    *Built-In
    Mobile App Compatible No
    Global Positioning (GPS, GLONASS, etc.) No
    Monitor
    Display Type Primary Monitor: Included External 5" Touchscreen LCD
    Secondary Monitor: Fixed 3" Touchscreen LCD
    Resolution Primary Monitor: 1920 x 1080 (6,220,000 Dot)
    Secondary Monitor: 720 x 480 (1,040,000 Dot)
    Power
    Battery NP-W235, V-Mount
    Power Consumption 21 W
    Environmental
    Operating Conditions 14 to 104°F / -10 to 40°C at 10 to 80% Humidity
    General
    Shoe Mount 1x Intelligent Hot Shoe on Included Handle
    Tripod Mount 2x 1/4"-20 Female
    3x 3/8"-16 Female
    Accessory Mounting Thread 4x 1/4"-20 on Included Handle
    6x Anti-Twist 1/4"-20 on Camera Body
    12x Anti-Twist 3/8"-16 on Camera Body
    9x Anti-Twist 3/8"-16 on Included Handle
    Dimensions (W x H x D) 4.4 x 5.4 x 7" / 110.8 x 138.2 x 176.8 mm
    Weight 4.4 lb / 2 kg (Body Only)