Shop

SEND AN ENQUIRY

Got a question or product enquiry? Send us a message

FAST SHIPPING

Products in stock are generally shipped the same day.

Sony Cinema Line FX30 APSC Cinema Camera - Body Only

Code: SOC/ILMEFX30B
$2,995.00

Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

ENQUIRE NOW

Got a question about this product?
Send us a message

Out of Stock - Call for availability

Or get notified when back in stock

OK, we'll notify you when Sony Cinema Line FX30 APSC Cinema Camera - Body Only is back in stock.

What's In The Box?

  • AC adapter
  • Accessory shoe cap
  • Body cap
  • Power plug adapter
  • Rechargeable Battery NP-FZ100
  • USB-A to USB-C cable (USB 3.2)

Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Support for filmmaking

The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilisation features let you concentrate on composition, not the complexity of crews and rigging.


Specifications & Features

The compact, very accessible FX30 brings up-and-coming visual storytellers into the world of Sony’s highly acclaimed Cinema Line cameras. Drawing on cinematic colour science with S-Cinetone™ and S-Log3 for grading, it produces stunning cinematic imagery while incorporating a full array of workflow-efficient features.

  • Outstanding imagery from a Super 35 format, APS-C size back-illuminated Exmor R CMOS sensor
  • BIONZ XR™ processing power for high image quality and operability
  • Dependable, accurate autofocus
  • Cinematic colour science with S-Cinetone
  • New Log shooting modes for movie production

  • Sensor Type

    APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

    Pixels

    Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)

    Sensitivity

    [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit) , [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

    LCD

    7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

    Cinema Line look and features

    Designed for visual storytelling

    The FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.

    Drawing on the Cinema Line heritage

    Film industry experience allied with state-of-the-art imaging technology

    The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.

    Beautiful imagery

    Advanced technology for outstanding resolution

    The FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic colour reproduction, low noise, and other image quality improvements.

    S-Cinetone gives you a cinematic look without grading

    The S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.

    Infinite possibilities of expression with S-Log3

    For production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.

    User LUTs provide an accurate image preview

    Customisable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like .

    10-bit 4:2:2 recording for greater editing latitude

    The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.

    Cine EI, Cine EI Quick, and Flexible ISO modes

    Flexible exposure mode handling

    Cine EI  offers wide latitude and the highest possible image quality, while Cine EI Quick  simplifies setup by automatically switching the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.

    Dual Base ISO (ISO800 / ISO2500)

    With this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.

    Slow-motion images at up to 120 frames per second

    With 4K recording at up to 120 frames per second  with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery  to expand your storytelling options.

    Reliable AF maintains a steady focus

    Sophisticated tracking features let you concentrate on your shoot

    The FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals .

    In-body image stabilisation for hand-held shooting

    Active Mode  is a 5-axis image stabilisation mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.

    Compensation for focus breathing

    In-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimising the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software , supported by camera metadata.

    A creative partner you can rely on

    Ready to go wherever you shoot

    Compact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.

    Compact, lightweight body

    Designed for mobility and comfortable operation

    Weighing in at 646 g with battery and memory card (951 g with the XLR handle unit), the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.

    Three thread holes in the XLR handle unit

     for accessories

    External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached to the FX30's XLR handle unit.

    Reliable operation for long shoots at 4K

    With its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD   ), the FX30 is designed to keep working reliably over extended shoots.

    Durable magnesium alloy chassis

    The main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

    Streamlined operational control

    New main menu

    Quick access to frequently used features

    While shooting, you can access frame rate , shutter speed, and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimised for movies and stills are provided.

    Two CFexpress Type A and SD card compatible media slots

    CFexpress Type A is the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

    Flexible high-resolution touch-panel LCD monitor

    A side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.

    Broad connectivity in a compact body

    An HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi/Micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface.

    16-bit RAW output via HDMI

    For demanding workflows, 16-bit RAW output  is available over HDMI connection to compatible external recorders RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution

    Hardware and software versatility

    Expandable to meet your needs

    Whether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.

    One Mount: connect seamlessly with E-mount

    The One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.

    Choose your audio input source

    The FX30's XLR handle unit  includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.

    Enhanced image stabilisation and easier workflows with Catalyst

    The FX30 records a wealth of metadata for use with Sony's Catalyst Browse Prepare application , including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.

    Pursuing a sustainable product ecosystem

    Measures for the environment include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.

    Working towards a zero footprint

    Environmental measures with the FX30

    The SORPLAS™  material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant, and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.

    SENSOR
    Type APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
    No. of pixels (effective) Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels
    No. pixels (total) Approx. 27.0 megapixels
    LENS
    Lens Mount E-Mount
    MEDIA
    Type CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
    WHITE BALANCE
    WB Modes Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
    EXPOSURE CONTROL
    Metering sensitivity EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
    Exposure Modes [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode
    [Sill images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)
    ISO Range [Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit) , [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)*3
    Shutter Speed [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec
    FOCUS SYSTEM
    Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
    Focus point [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)
    Sensitivity range EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
    Focus mode [Movie] AF-C (Continuous AF), Manual Focus [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
    Focus area [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
    Other focus features Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird)
    [Movie] AF Transition Speed; [Movie] AF Subj. Shift Sensitivity
    [Still] AF Tracking Sensitivity
    Face detection (Face/Eye Prior. in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (APS-C: 6.1x / 12.1x)
    IMAGE STABILISATION
    Type Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
    Mode [Movie] Active / Standard / Off, [Still image] On / Off
    Compensation Effect (still images) 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)
    CONNECTIVITY
    Supported Format IEEE 802.11a/b/g/n/ac
    Frequency Band 2.4 GHz band/5 GHz band
    Security WEP/WPA-PSK/WPA2-PSK
    NFC
    Bluetooth Bluetooth Standard Ver. 5.0 (2.4 GHz band))
    FTP Transfer Wired LAN (USB-LAN), USB Tethering, Wi-Fi
    STILL IMAGE FUNCTION
    Shutter Electronic shutter
    Drive modes Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
    Noise reduction High ISO NR: Normal / Low / Off
    Other still image function Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Set
    RECORDING SYSTEM (STILLS)
    Recording format JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
    Image size (pixels) [3:2] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)
    Image size (pixels) [4:3] L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)
    Image size (pixels) [16:9] L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)
    Image size (pixels) [1:1] L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)
    RECORDING SYSTEM (MOVIE)
    Recording Format XAVC S, XAVC HS, XAVC HS
    Recording Format (Video) XAVC S-I: 4K 59.94p, 600 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I 4K 50p, 500 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I 4K 29.97p, 300 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I 4K 25p, 250 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I 4K 23.98p, 240 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I HD 59.94p, 222 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I HD 50p, 185 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I HD 29.97p, 111 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I HD 25p, 93 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S-I HD 23.98p, 89 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S 4K 59.94p/50p, 200 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S 4K 59.94p/50p, 150 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC S 4K 29.97p/25p, 140 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S 4K 23.98p, 100 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S 4K 29.97p/25p/23.98p, 100 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC S 4K 119.88p/100p, 280 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S 4K 119.88p/100p, 200 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC S HD 59.94p/50p/29.97p/25p/23.98p, 50 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264; XAVC S HD 59.94p/50p/29.97p/25p/23.98p, 50 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC S HD 59.94p/50p, 25 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC HD 29.97p/25p, 16 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC S HD 119.88p/100p, 100 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264; XAVC S HD 119.88p/100p, 60 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264. [XAVC HS] XAVC HS 4K 59.94p/50p, 200 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 59.94p/50p, 150 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 59.94p/50p/23.98p, 100 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 59.94p/50p, 75 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 59.94p/50p, 45 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 23.98p, 100 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 23.98p, 50Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 23.98p, 50 Mbps 4:2:0 10bit, MPEG-H HEVC / H.265; XAVC HS 4K 23.98p 30 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 119.88p/100p, 280 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265; XAVC HS 4K 119.88p/100p, 200 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
    Recording Frame Rate [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p; [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p; [XAVC S 4K] 3840x2160/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p; [XAVC S HD] 1920x1080/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p; [XAVC HS 4K] 3840x2160/119.88p,100p,59.94p, 50p, 23.98p
    RAW Output HDMI: 4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit
    Recording Format (Audio) LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit) , LPCM 4 ch(48 kHz 24 bit)
    Slow & Quick Format [XAVC S-I 4K / XAVC S 4K / XAVC HS 4K] NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps; [XAVC S-I HD / XAVC S HD]NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
    (S&Q) Frame Rate XAVC-I: 1 to 60 frames (59.94/50/29.97/25/24/23.98), 4096x2160; XAVC-I/L: 1920 x 1080, 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98), 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98), 3840 x 2160
    Gamma Curve Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
    Latitude 14+ stop (S-Log3)
    ZOOM
    Zoom Function Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x )
    Digital zoom ([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x),
    Smart zoom ([Still image] M: Approx. 1.4x, S: Approx. 2x)
    INTERFACE
    Audio Input 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48 V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack
    USB Terminal USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
    Headphone Output 3.5 mm Stereo minijack
    Speaker Output Built-in, monaural
    HDMI Output HDMI connector (Type-A); YCbCr 4:2:2 10 bit / RGB 8 bit
    TC Input/TC Output Multi/Micro USB, TC IN
    Multi Interface Shoe With Digital Audio Interface
    MONITORING
    LCD 7.5 cm (3.0-type), Approx. 2.36M dots, touch panel
    Opening Angle: Approx. 176 °, Rotation Angle:Approx. 270 °
    BUILT-IN MICROPHONE
    Built-in Microphone Built-in, stereo
    CONSTRUCTION
    Dimensions 129.7 mm x 77.8 mm x 84.5 mm (body without protrusions)
    Weight 646 g (with battery and memory card included), 951 g (with XLR Handle, battery and memory card included)
    INCLUDED
    Box Contents Rechargeable Battery NP-FZ100; AC adapter; XLR handle unit; Body cap; Accessory shoe cap; Handle shoe cap; USB-A to USB-C cable (USB 3.2