| SENSOR TYPE | MONSTRO 35.4 Megapixel CMOS | HELIUM 35.4 Megapixel CMOS* | RED DRAGON 19.4 Megapixel CMOS | 
        
            | EFFECTIVE PIXELS | 8192 × 4320 | 8192 × 4320 | 6144 × 3160 | 
        
            | SENSOR SIZE | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) | 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) | 30.7 mm x 15.8 mm (Diagonal: 34.5 mm) | 
        
            | DYNAMIC RANGE | 17+ stops | 16.5+ stops | 16.5+ stops | 
        
            | MAX FRAME RATES1 | 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456) 
 60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
 
 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
 
 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
 
 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
 
 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
 
 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
 | 75 fps at 6K Full Format (6144 × 3160), 100 fps at 6K 2.4:1 (6144 × 2592) 
 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
 
 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
 
 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
 
 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
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            | MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
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            | PLAYBACK FRAME RATES (PROJECT TIMEBASE)
 | 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions | 
        
            | REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11
 | 5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps 
 12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
 
 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
 
 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
 | 3:1 REDCODE for 6K Full Format (6144 × 3160) at 24 fps 
 7:1 REDCODE for 6K Full Format (6144 × 3160) at 60 fps
 
 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
 
 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
 | 
        
            | REDCODE RAW ACQUISITION FORMATS2
 | 8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
 7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
 
 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
 
 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 | 6K Full Format (6144 × 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 | 
        
            | APPLE PRORES | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
 ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
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            | AVID CODECS3 | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
 DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
 DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
 DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
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            | CONSTRUCTION | Carbon Fiber, Magnesium, and Aluminum Alloy | 
        
            | WEIGHT | 3.3 lbs (BRAIN with Integrated Media Bay) | 
        
            | OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | 
        
            | STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | 
        
            | RELATIVE HUMIDITY | 0% to 85% non-condensing | 
        
            | COLOR MANAGEMENT | Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module
 User programmable shaper 1D LUTs
 Tetrahedral interpolation, 16-bit processing
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            | AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
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            | REMOTE CONTROL | Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
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            | MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2
 480p RGB or 4:2:2 (HDMI only)
 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
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            | MONITOR OPTIONS | DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
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            | REDCINE-X PRO DELIVERY FORMATS
 | 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
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            | VIDEO EDITING SOFTWARE COMPATIBILITY4
 | Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
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