The 3/8” and 1/4″ to ARRI Rosette Adaptor adds a secure ARRI rosette with two mounting points. This high-strength alternative adds extra security for mounting via ARRI rosettes – ideal for handgrips or side handles.
Using the ARRI pin-lock interface standard, the ARRI Rosette Adaptor offers additional customisation options for camera professionals.
Key Features
- Rigid Rigging – The ARRI Rosette Adaptor is securely mounted from two points.
- ARRI-Standard – The Adaptor uses the ARRI pin-lock array.
- Anti-Twist – Keep your accessories secure with dedicated locating pins.
- Perfect for Handheld Shooters – The Adaptor is ideal for handgrips and side handles.
Secure your setup with our 3/8” and 1/4″ to ARRI Rosette Adaptor, which converts two mounting threads on your rig into a rigid rosette mount. Perfect for side handles or hand grips (like those in our KASBAH range), the ARRI Rosette Adaptor mounts cleanly but with unmatched sturdiness.
Locked In Place
The ARRI Rosette Adaptor mounts via a 3/8” and a 1/4″ screw, spaced 12.7mm apart in the ARRI pin-lock standard. The dual mounting capabilities guarantee that your rosette is kept in position, and can take greater strain from mounted accessories.
No Unexpected Twists
The 3/8” screw thread of the Adaptor also has anti-twist pins either side of the screw: helping you locate the rosette in place. For rosette-mounted accessories, where the angle and positioning often needs to be precise, this keeps the Adaptor firmly secured.
Clean, Compact Rigging
The ARRI Rosette Adaptor is a great addition to smaller rigs, allowing you to convert side plates or side ribs for handheld shooting. Coupled with our KASBAH Hand Grips and Extensions, you can create a comfortable and convenient side handle for handheld shooting.
Part of the Universal System
Bright Tangerine’s Universal Camera Accessories are – appropriately – designed to be universal. Capable of being used on practically any camera system or rig construction, these accessories are ideal for filmmaking professionals at any level: from run-and-gun videography to high-budget cinematic filmmaking.