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Azden FMX-42A 4 Channel Mixer with Camera Return
Azden’s portable mixers have been trusted by audio professionals in the field for over a decade. Their extensive set of features, handcrafted quality and affordability have made them some of the most popular portable mixers on the market. The FMX-42A features a 10-pin camera return may also be used as a secondary stereo output, independent from the mixer's main XLR outputs, using Azden's MX-10 Cable (available for separate purchase).
CRK/AZDFMX-42A
False
Azden
1231
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False
1
0
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Azden FMX-42A 4 Channel Mixer with Camera Return
Azden’s portable mixers have been trusted by audio professionals in the field for over a decade. Their extensive set of features, handcrafted quality and affordability have made them some of the most popular portable mixers on the market. The FMX-42A features a 10-pin camera return may also be used as a secondary stereo output, independent from the mixer's main XLR outputs, using Azden's MX-10 Cable (available for separate purchase).
Azden, FMX-42A, 4, Channel, Mixer, with, Camera, Return
1
0
https://www.lemac.com.au/site/DefaultSite/filesystem/images/Azden/AzdenFMX-42A.jpg
Audio
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Azden FMX-42A 4 Channel Mixer with Camera Return
Code: CRK/AZDFMX-42A
Azden’s portable mixers have been trusted by audio professionals in the field for over a decade. Their extensive set of features, handcrafted quality and affordability have made them some of the most popular portable mixers on the market. The FMX-42A features a 10-pin camera return may also be used as a secondary stereo output, independent from the mixer's main XLR outputs, using Azden's MX-10 Cable (available for separate purchase).
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Azden’s FMX-42 portable mixer has been trusted by audio professionals in the field for over a decade. Its extensive set of features, handcrafted quality and affordability have made it one of the most popular portable mixers on the market.
Having 4 balanced XLR line/mic inputs with individual level and pan controls, the FMX-42a provides switchable (per channel) 48V phantom power and limiting, professional quality VU meters for accurate level setting, master level control, 1k tone generator, 2 balanced XLR outputs (line/mic switchable), stereo mini-jack output for DV cameras, 10-pin Camera Return, mini-jack Camera Return and a headphone monitor with level control.
The 10-pin camera return may also be used as a secondary stereo output, independent from the mixer's main XLR outputs, using Azden's MX-10 Cable. (available for separate purchase)
The FMX-42a can be powered by either 6 internal “AA” batteries or an optional 12V DC external supply (Locking 4-Pin Hirose connector). A ballistic nylon carrying case is included.
Specifications
| FREQUENCY RESPONSE |
|
| Balanced or Unbalanced Output |
20 Hz - 30 kHz (+0/-1.5 dB) |
| Monitor Output |
30 Hz - 30 kHz (+0/-2 dB) |
| GENERAL |
|
| Signal-to-Noise Balanced Output |
-120 dBu (A weighted, input equivalent level) |
| T.H.D. Balanced Output |
less than 0.005% @ 1 kHz (at LINE position +19 dBu output) |
| Phantom Power Voltage |
48V (±4V) |
| Sample Tone Frequency |
1 kHz |
| Battery Requirement |
6 Alkaline "AA" |
| Battery Runtime |
Approx.10 hours (Meter Illum & Phantom Power OFF) |
| External Power |
12V DC @ 200mA |
| Dimensions |
220mmW x 160mmD x 56mmH (without protrusions) |
| Weight |
1,350 grams/3 lbs (without batteries) |
| CURRENT DRAIN |
|
| Meter Illum & Phantom OFF @ 9V |
164mA |
| Meter Illum OFF, Phantom ON w/1 MIC @ 9V |
192mA |
| Meter Illum & Phantom OFF @ 15V |
125mA |
| INPUT |
|
| Balanced Input |
XLR 3-pin Female x 4 (CH1, 2, 3 & 4) |
| Level +4 dBu (LINE) Standard |
+4 dBu (electronically balanced) |
| Maximum |
greater than +26 dBu |
| Impedance |
20kΩ |
| -30 dBu (MIC 1) Standard |
-38 dBu (electronically balanced) |
| Maximum |
+4 dBu |
| Impedance |
2kΩ |
| -55 dBu (MIC 2) Standard |
-58 dBu (electronically balanced) |
| Maximum |
-15 dBu |
| Impedance |
2kΩ |
| High Pass Filter (HPF) |
100Hz - 6dB/oct |
| RETURN INPUTS |
|
| Hirose 10-pin Female for Hirose Plug |
Input Level: -20 dBu - +19 dBu (unbalanced)
Impedance: 11kΩ |
| 3.5mm (1/8") Stereo Mini-Jack |
Input Level: -20 dBu - +19 dBu (unbalanced)
Impedance: 11kΩ |
| OUTPUT |
|
| Balanced Outputs |
XLR 3-pin Male x 2 (Output L & R)
Hirose 10-pin Female for Hirose Plug |
| Unbalanced Output |
3.5mm (1/8") Stereo Mini-Jack |
| Monitor Output |
6.3mm (1/4") Stereo Jack |
| BALANCED OUTPUT LEVEL |
|
| +4 dBu Standard |
+4 dBu (electronically balanced, greater than10kΩ load)
Maximum: +20 dBu (electronically balanced, greater than 10kΩ load)
Impedance: 600Ω |
| -36 dBu Standard |
-36 dBu (electronically balanced, greater than 10kΩ load)
Maximum: -20 dBu (electronically balanced, greater than 10kΩ load)
Impedance: 600Ω |
| UNBALANCED OUTPUT LEVEL |
|
| Standard |
-36 dBu (electronically balanced, greater than 10kΩ load) |
| Maximum |
-20 dBu (electronically balanced, greater than 10kΩ load) |
| Impedance |
120Ω |
| MONITOR OUTPUT |
|
| Maximum |
+1 dBu (32Ω load at 9V)
16-100Ω load recommended |
| Meters - Standard Output Level |
0 VU (+4 dBu) |