| Specifications |
| Dimensions (W x H x D mm) | 594 x 339.7 x 72.5mm |
| Weight | 8.6kg / 18.95lb |
| Mount points | Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom. Kensington lock on rear and lock down point on feet |
| VESA mount | 100 x 100 |
| Environmental |
| Ambient operating temperature | Up to 40° C (1000Nits Full screen limited to 25° C ) |
| Construction and Control |
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | On rear |
| Multi-function button | Power / Pair remote |
| Master control unit (MCU) | Yes, Field replaceable |
| Power |
| Compatible batteries | AtomX NEON battery system by Core SWX |
| DC in connector | 6 pin locking push/pull connector |
| Display |
| Size | 24" |
| Resolution | 4096 x 2160 |
| Viewing angle | Super Wide Vision 178 Degrees >10% |
| Screen coating | Matte Anti Glare & reflection |
| PPI | 192 |
| Bit depth | True 10-Bit |
| Backlight Type | Dynamic Full Array Local Dimming (FALD) 512 Zones |
| Brightness (cdm2 / nits) | Up to 1000 Full Screen and 1200 Nits Peak HDR |
| Black Level (cdm2 / nits) | 0.002 |
| Aspect ratio | 17:9 |
| De-interlace mode | Yes, Graphic burning protection |
| Color Gamut | DCI-P3 (D65) |
| Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
| Color Pipeline |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | Bt2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format Display Only |
| Monitoring Modes | SDR, 3D LUT, HDR |
| HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
| Video Input |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| HDMI RAW | No - RAW not supported |
| SDI | 2 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module |
| SDI RAW | No - RAW not supported |
| Bit Depth | 8/10-Bit Video |
| Video Chroma Subsampling | 4:2:2 |
| HDCP copy protection | Not supported |
| Metadata |
| SDI | File Name from Arri, RED |
| Video Output |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module - level A and B selectable |
| SDI Play out | 2 x 12G SDI Backwards compatible Autodetection AtomX SDI module - level A and B selectable |
| Video Chroma Subsampling | 4:2:2 |
| Bit Depth | 10Bit Video |
| Web Streaming |
| USB UVC | Optional via Connect 4k |
| Audio In/Out |
| Audio Quality | 24/48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24-Bit, input dependent |
| SDI | 12ch 24-Bit, input dependent |
| Analogue Audio in | 3.5mm 2ch. |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync |
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | via 3.5mm audio Jack input (Requires post processing) |
| Resolution and Frame Rates (Record, Monitor & Playback) |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
| Recording CODEC |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | DNxHD 220x,220,145,36 |
| Avid DNxHR | LB, SQ, HQ, HQX. |
| Playback |
| Loop | Yes, Entire clip |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
| Multi Input / Switching |
| SDI A/B toggle | Via included AtomX SDI module |
| Supported media |
| Master Caddy I | Not compatible |
| SSDmini | Native Size and Fit |
| CFast II | Supported cards via optional AtomX CF Adapter |
| File Naming | Unit Name - Scene/Shot/Take, Arri & RED via SDI |
| File System | ExFAT |
| On screen tools |
| Waveform | Yes, 3 size / Position |
| RGB parade | Yes, 3 size / Position |
| Vector scope | Yes, 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / Mono / edges only |
| False colour | Yes, with Scale |
| Zebra | Yes, Adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Safe areas | Action and Graphic |
| Anamorphic desqueeze | 1.33x , 1.5x ,1.8x ,2x |
| Onboard Signal Processing |
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out - 4K UHD to FHD |
| DCI Crop | Loop out - 17:9 to 16:9 Crop |
| Remote control |
| HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Bluetooth LE | iOS Atom Remote and future Mac OS release |
| External Device Control |
| Serial 2.5mm Jack | BBRCU Button Bar remote control - Future product release |
| Bluetooth LE | iOS Atom Remote and future Mac OS release |
| Supported Applications |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box |
| Accessories included | NEON 24 Monitor, NEON Master Control Unit, 2 x Feet (inc. mount screws x 2), NEON Quick Start Guide, 1 x Master Caddy II (inc. screws), 19V AC Power Adapter with mount cage, AtomX SDI Expansion Module, Monitor Protective Sheath, MCU Protective Sheath, Hex Wrench. |
| Optional extras | HPRC Hard case |
| Warranty |
| Standard | 1 year. Extended to 3 years on product registration |