http://www.lemac.com.au/site/DefaultSite/filesystem/images/zoom/f4.jpg The Zoom F4 propels your film's sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

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Zoom F4 Multitrack Field Recorder

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The Zoom F4 propels your film's sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

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The Essentials For Professional Recording

Super-low-noise microphone preamps

The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4’s mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.

TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.

Advanced onboard limiters

Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.

Rock-solid build and lightweight design

A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries.

Key Features

  • 6-input/8-track multitrack field recorder with integrated mixer 
  • 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors,a stereo 3.5mm input, and Zoom mic capsule input
  • Input 5/6 can be used as a camera return for monitoring only.
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and+4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-dropformats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery packwith 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter withDHC-1 DC-HIROSE cable (included)
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch foreach channel
  • Phantom power (+48V/+24V) on every preamp 
  • High pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 msec per channel / output delay of up to10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cableenables remote positioning
  • Dedicated headphone output (100 mW) with front panel volume control
  • Dual XLR balanced Main Outs plus 1/8" stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each 
  • Support for extensive metadata (BWF and iXML); input time, date,project, scene number, etc.
  • Built-in tripod mount; camera mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz) 
*The F4 is does not have Bluetooth capabilities and is not compatible with the Zoom F8 iOS app.

Recording Features

Multi-track recording

With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz.

Camera return

Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks.

Dual SD card recording

A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another.

File protection

The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal.

Dual-channel recording

Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering.

Shortcuts

Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts.

Three power sources

Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option.

The Best Connections

Inputs

The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8" stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels.

Outputs

In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8" stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing.

Time code and USB connections

Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz.

An LCD For All Lighting Conditions

An easy-to-read 1.9-inch white backlit monochromatic LCD display makes the F4 suitable for all lighting environments— from low light to direct sunlight. It also performs well in harsh conditions, like dusty and hard-to-see environments.

Monitor Your Recordings

Flexible options help you easily monitor recordings in the field. Route any input, as well as the stereo track (pre- or post-fader), to the left or right headphone channels. A built-in 100 mW headphone amplifier provides plenty of volume for noisy environments. You can even set headphone alert tones for low battery, recording start/stop, or recording errors.

Onboard Mixer And Effects

An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

The Nitty Gritty

The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.

Specifications

Recording Media

Dual SD card slot supports:

16 MB–2 GB SD cards
4 GB–32 GB SDHC cards
64 GB–512 GB SDXC cards

Inputs 1-4

Connectors:

XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)

Inputs: XLR (Mic)

Input gain:

+10 – +75 dB

Input impedance:

3.0 kΩ or more

Maximum input level:

+14 dBu (at 0 dBFS, limiter ON)

Phantom power:

+24/+48V 10mA maximum for each channel

Inputs: TRS (Line)

Input gain:

−10 – +55 dB

Input impedance:

22 kΩ or more

Maximum input level:

+24 dBu (at 0 dBFS, limiter ON)

Inputs: Additional Info

Equivalent input noise:

−127 dBu or less
(A-weighted, +75 dB input gain, 150Ω input)

Frequency characteristics:

10 Hz – 80 kHz +0.5 dB/−1.5 dB
(192 kHz sampling rate)

A/D dynamic range:

120 dB typ (−60 dBFS input, A-weighted)

Crosstalk:

−90 dB or less
(between adjacent channels, 1 kHz)

MIC IN:

ZOOM mic capsule input
(use disables Inputs 5/6)

RTN In

Connectors:

3.5 mm stereo mini unbalanced output jack

Reference input level:

-10 dBV (Level: -10 dBV setting),
+4 dBu (Level: +4 dBu setting)

Input impedance:

10k Ω or more

Maximum input level:

-10 dBV (Level: -10 dBV setting)
+24 dBu (Level: +4 dBu setting)

Outputs: Main Out 1/2

Connectors:

XLR balanced output (2: hot)

Output impedance:

150 Ω or less

Reference output level:

−10 dBV, 1 kHz, 600Ω load

Maximum output level:

+10 dBV, 1 kHz, 600Ω load

Outputs: Sub Out 1/2

Connector:

3.5 mm stereo mini unbalanced output jack

Output impedance:

1k Ω or less

Reference output level:

−10 dBV (Normal Output Type),
−40 dBV (Mic Output Type), 1 kHz, 10kΩ load

Maximum output level:

+10 dBV (Normal Output Type),
−20 dBV (Mic Output Type), 1 kHz, 10kΩ load

Headphone

Connector:

1/4" unbalanced stereo output jack

Output impedance:

15 Ω or less

Maximum output level:

100 mW + 100 mW
(32Ω load)

D/A

D/A dynamic range:

106 dB typical (−60dBFS input, A-weighted)

Recording Formats: When Mp3 Selected

Supported formats:

128/192/320 kbps, 44.1/48 kHz, ID3v1 tags

Maximum simultaneous recording tracks:

2

Recording Time

Using a 32 GB card:

30:51:00 (48 kHz/24-bit stereo WAV)
7:42:00 (192 kHz/24-bit stereo WAV)

Time Code

Power Supplies

Connector:

BNC

Modes:

Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode)

Frame rates:

23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D

Precision:

±0.2 ppm

Supported input levels:

0.2 – 5.0 Vpp

Input impedance:

4.3k Ω or more

Output level:

3.0 Vpp ±10%

Output impedance:

50 Ω or less

Batteries:

8 AA

AC adapter:

Zoom AD-19 DC12 V 2A (center plus) via DC-HIROSE cable adapter (both included)

External DC power supply:

HIROSE HR10A-7R-4S 4-pin connector
(1 pin: −, 4 pin: +), 9–16 V

Continuous Recording Time: When Recording 2 Channels At 48 Khz/16-Bit Without Headphones

Alkaline batteries:

9.5 hours or more

NiMH (2450mAh):

11.5 hours or more

Lithium batteries:

17.5 hours or more

Continuous Recording Time: When Recording 8 Channels At 48 Khz/24-Bit With Headphones

Alkaline batteries:

9 hours or more

NiMH (2450mAh):

10.5 hours or more

Lithium batteries:

16.5 hours or more

Continuous Recording Time: When Recording 8 Channels At 192 Khz/24-Bit With Headphones, Phantom Power, And Display Backlighting

Alkaline batteries:

2 hours or more

NiMH (2450mAh):

3.5 hours or more

Lithium batteries:

6 hours or more

Display

Display

1.9" monochrome LCD with white backlight

USB: Mass Storage Operation

Class:

USB 2.0 High Speed

USB: Multitrack Audio Interface Operation (driver required for windows, not required for mac)

Class:

USB 2.0 High Speed

Specifications:

44.1/48/96 kHz, 16/24-bit, 6-in/4-out

USB: Stereo Mix Audio Interface Operation (no driver required)

Class:

USB 2.0 High Speed

Specifications:

44.1/48 kHz, 16-bit, 2-in/2-out

Note: iPad audio interface operation supported (Stereo Mix mode only)

External Dimensions

Main unit:

7.0 in. (W) × 5.5 in. (D) × 2.1 in. (H)
177.8 mm (W) × 141.1 mm (D) × 54.3 mm (H)

Weight

Main unit only:

2.27 pounds (1030 g)