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Sigma FF Classic 10-Lens Prime Kit

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The Sigma FF Classic Primes retain the high resolution capability that SIGMA CINE LENS are known for, while featuring more non-coated optical elements to create a unique combination of low contrast and artistic flare/ghost in the image and beautiful bokeh effects all within an outstanding compact design.

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With cutting-edge technology, SIGMA's new "Classic Art Prime" offers unrivaled expression for artists.

"Classic Art Prime" is a new solution from SIGMA that is required for the most advanced technology for classical expression. The "look" that FF Classic Prime Line can offer will enable cinematographers to explore new possibilities in movie creation.

Sigma FF Classic Prime Short movie “Operator”

FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. Based on this product line, the FF Classic Prime Line incorporates more non-coated optical elements to achieve unrivaled expression. It retains the high resolution capability that SIGMA CINE LENS is well known for, and offers a unique combination of low contrast and artistic flare/ghost in the image. As with all other lenses from the FF High Speed Prime Line, it creates beautiful bokeh effects to improve creativity.

FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value across the lineup (14mm and 135mm at T3.2 and the rest of the lenses at T2.5). This will greatly contribute to the effective workflow in postproduction. Furthermore, it is compatible with the communication protocol of Cooke "/i Technology", thus an ideal tool for shooting and editing with the latest technology, such as VFX. A special coating is implemented on the front and rear elements so that the lens durability is ensured as with all other cine lenses from SIGMA.

Specifications

14mm T3.2 FF 20mm T2.5 FF 24mm T2.5 FF 28mm T2.5 FF 35mm T2.5 FF 40mm T2.5 FF 50mm T2.5 FF 85mm T2.5 FF 105mm T2.5 FF 135mm T3.2 FF
Focal Length 14mm 20mm 24mm 28mm 35mm 40mm 50mm 85mm 105mm 135mm
Aperture T3.2 to T25 T2.5 to T25 T2.5 to T25 T2.5 to T25 T2.5 to T25 T2.5 to T25 T2.5 to T25 T2.5 to T25 T2.5 to T25 T3.2 to T25
Number of diaphragm blades 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm)
Close Focus1 0.27m / 11″ 0.276m / 11″ 0.25m / 10″ 0.30m / 1′ 0.30m / 1′ 0.40m / 1′4″ 0.40m / 1′4″ 0.85m / 2′10″ 1.00m / 3′4″ 0.875m / 2′11″
Front diameter 95mm 95mm 95mm 95mm 95mm 95mm 95mm 95mm 95mm 95mm
Filter Size - - 82mm 82mm 82mm 82mm 82mm 86mm - 82mm
Length2 111.5mm 110mm 87mm 99.7mm 87mm 123mm 94mm 118.9mm 126.2mm 106.9mm
Weight3 TBD TBD TBD TBD TBD TBD TBD TBD TBD TBD
FF4 104.3° 84.0° 73.7° 65.5° 54.4° 48.5° 39.6° 23.9° 19.5° 15.2°
S355 82.6° 63.2° 54.3° 47.4° 38.7° 34.2° 27.6° 16.5° 13.4° 10.4°
APS-C6 80.5° 61.3° 52.6° 45.9° 37.4° 33.0° 26.7° 15.9° 12.9° 10.0°
Common specifications
  • Image circle diameter: FF 43.3mm, Illumination circle diameter: over 46.3mm, Focus ring: Marked in feet
  • 1 Close focus distance is measured from the image plane
  • 2 Front to mount flange
  • 3 Without lens support foot
  • 4 Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 36mm × 24mm / 1.42″ × 0.94″)
  • 5 Horizontal angle of view for a super 35 digital cinema camera aperture (aspect ratio 1:1.8, dimensions 24.6mm × 13.8mm / 0.97″ × 0.54″)
  • 6 Horizontal angle of view for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7mm × 15.7mm / 0.93″ × 0.62″)
    The specifications are subject to change without notice.