http://www.lemac.com.au/site/DefaultSite/filesystem/images/Canon/CanonC300MKII.jpg 4K quality, creativity and versatility. The new, next generation, EOS C300 features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

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Canon EOS C300 MKII EF (Body Only)

Item Code: CAN/C300MKII

4K quality, creativity and versatility. The new, next generation, EOS C300 features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

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For a limited time, receive a FREE SandiskExtreme Pro 128GB CFAST 2.0 Card & Card Reader

From July 1, 2018 purchase Canon’s Cinema EOS C200, C300 Mark II or Canon's Flagship DSLR, the EOS-1DX Mark II and receive a bonus 128GB CFAST 2.0 Card and CFAST Card Reader

Note: Limited Offer –Promotion runs July 1, 2018 until stocks last. Not to be used with any other discounts (quantity/education) or promotions. Further T&Cs may apply.

You are currently viewing the EF-Mount version of the C300MKII. For enquiries regarding the PL-Mount version, please contact websales@lemac.com.au

The EOS C300 Mark II is a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the next generation camera features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

EOS C300 Mark II key benefits:

  • Seamlessly integrate with professional workflows
  • Automatic features make independent shooting easy
  • High bitrate internal 4K recording with external RAW
  • High dynamic range files, ideal for post production
  • Shoot with confidence in low light with low noise

Supreme 4K image quality and versatility

With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™[i] media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality. To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include, enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.

Instant integration into professional workflows

Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bit and 48 kHz.

Designed for versatility

The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.

Video



Join Canon U.S.A.’s Technical Advisor Brent Ramsey as he discusses the new features and benefits of the EOS C300 Mark II Cinema camera. This camera is an evolutionary, second-generation CINEMA EOS System model that’s been reworked, redesigned, and reengineered with the valued input of thousands of users worldwide. Starting with a brand new Super 35mm 8.85 MP Sensor, the EOS C300 Mark II offers a dynamic range of 15 stops – and an amazing amount of shadow protection thanks to a new Log gamma that’s been created – Canon Log 2.

Specifications

Image sensing device Sensor CMOS sensor (single-panel) equivalent to Super 35 mm
Total pixels Approx. 9.84 megapixels (4206 x234O)
Number of effective pixels Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
Lens mount Canon EF mount
[EF lens group supported (including EF-S lenses), EF cinema lens group supported]
Exposure Exposure mode (1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting
(2) Push auto iris control, auto iris control (Light metering system selection, shift possible)
Shutter setting Speed, Angle, Clear Scan, Slow, or Off mode selected
Either 1/3 or 1/4 steps selected as speed increment
lris setting 1/2-stop, 1/3-stop or fine setting selected
(1) Push auto iris control
(2) Auto iris control *
* Available only with some EF lenses (to be disclosed in the official version of the technical document)
ISO/gain ISO 1 step, 1/3 step settings
[*100 - 160 - 25600 -*102400
*When the sensitivity is expanded
Gain Normal [*-6dB - -2dB - 42dB - *54d8]
Fine: Setting in 0.5d8 step increments possible
* When the sensitivity is expanded
ND filter 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected]
Motorized drive
Focus control DAF (Dual Pixel CMOS AF) supported
Manual focus, one-shot AF, continuous AF, AF-Boosted MF (*),
face detection AF (Only lenses that support AF functions can be used
in any of these modes.)
*See Technical Description.
LCD monitor 4" (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage
Viewfinder 0.46" (1.18 cm on the diagonal), color organic EL display with a widescreen 16:9 aspect ratio
Approx. 1.17 million dots (1024 x RGB x 576), 100% field of view ratio
White balance Kelvin setting (setting range: 2000K to 15000K), daylight, tungsten, settings (A/B)
System frequency selection
Frame rate
59.94 Hz, 50.00 Hz, 24.00 Hz
59.94 Hz mode 59.94i / 59.94P / 29.97P / 23.98P
50.00 Hz mode 50.00i / 50.00P / 25.00P
24.00 Hz mode 24.00P
Recording media CFast card Movie recording, custom picture settings, metadata 2-slot
SD Card Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible
Video format (XF-AVC) Video compression formats MPEG-4 AVC/H.264
Audio recording system Linear PCM (16bit/24bit- 48 kHz - 4ch)
File format MXF
Bit rate Intra 410 / 225 / 210 / 110Mbps,
LongGOP S0Mbps
LongGOP 35 or 24Mbps (for proxy recording on SD cards)
CFast card Intraframe recording
Resolution : 4096x2160 / 3840x2160 / 2048x1080 / 1920x1080
Signal configuration : YCC422 10bit/(*)RG8444 (12bit/10bit)
(*) Only with 2048x1080 or 1920x1080; 29.97P, 23.98P, 25.00P and 24.00P
LongGOP recording
Resolution : 2048x1080 / 1920x1080
Signal configuration : YCC422 10bit
SD Card Movies: LongGOP recording only (*)
Resolution : 2048x1080 / 1920x1080
Signal configuration: YCC420 8bit
Photo: JPEG
Resolution : 2048x1080 / 1920x1080
(*) Proxy recording using low bit rate
Time code Count-up Drop frame(*) or non-drop frame
Operation mode Rec run, free run, regeneration
(*) Only in the 59.94 Hz mode
Special Rec Slow & Fast motion recording (max. 120 fps supported), frame recording, pre-recording, interval recording
Other Relay recording, double slot recording, 4K RAW output, custom picture settings, color bar, peaking display, zebra display, My Menu settings, waveform monitor display, edge monitor display, customized functions, function assignment buttons (1 to 11), key lock, marker displays, Enlarged display, custom display Browser remote control using WFT unit, peripheral illumination correction, monaural microphone, fan control, magnification chromatic aberration compensation, GPS information recording, etc.
Playback Playback operations Normal playback, fast forward (at speeds of 5x, 15x, 60x), fast reverse
(at speeds of 5x, 15x, 60x), frame fonruard, frame reverse, fonrvard skip,
reverse skip, rec review
Clip display 3x4 (clip) index screen
[Original, OK mark, check mark, shot mark, expand, proxy, photo (SD card) index displays available]
Clip information displays Clip metadata display, custom picture data display
Edit Clip deletion, clip copying
Terminal
lnput GENLOCK terminal (also serves as SYNC OUT terminal), TIME CODE terminal (inpuUoutput switching), REMOTE terminal, MIC terminal, AUDIO terminal
Output MON.terminal, REC OUT terminal, HDMI OUT terminal, headphones terminal, SYNC OUT terminal (also serves as GENLOCK terminal), TIME CODE terminal (inpuUoutput switching), VIDEO terminal
Input/output control Expansion system terminal (WFT/other unit)
Monitor unit
Input INPUT terminal (XLR) x 2, VIDEO terminal
Output AUDIO terminal
Power supply 14.4V DC (battery pack), 16.7 V DC (DC-IN)
Image processing platform Dual Digic DV 5