Zooms


  • 15-40mm Angenieux Optimo T2.6

    Designed for film (compatible with digital) cameras with an impressive contrast and color reproduction. Optimo 15-40 is first lightweight hand-held lens with superior optics ideal for Steadicam work – and the perfect complement to the Angenieux 28-76mm.


  • 30-90mm / 45-135mm Angenieux EZ-1 Zoom

    The Angenieux Type EZ series of lenses features an innovative modular lens design. Its focal range and aperture are set to 30-90mm T2, but by exchanging the rear lens group, the lens becomes a 45-135mm T3 for FF/VistaVision format


  • 15-40mm / 22-60mm Angenieux EZ-2 Zoom

    he Angénieux Type EZ-2 for FF/VistaVision format is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set set to 22-60mm F2.8/T3. By exchanging the rear lens group, the lens becomes a 15-40mm F1.9/T2 covering an image circle up to 30mm diagonal.


  • 28-76mm Angenieux Optimo T2.6

    Designed for film (compatible with digital) cameras with an impressive contrast and color reproduction. It is the perfect companion to the Optimo 15-40 for hand-held applications


  • 45-120mm Angenieux Optimo T2.8

    Designed for 35mm film cameras and new generations of digital cameras, this lens is the third in the line of short, light and fast zooms. Small and light enough for handheld cameras, steadicam or crane, long enough for close-ups. It perfectly complements the other lightweight Optimo zooms – Optimo 28-76 and Optimo 15-40- to create a unique, three zoom lens system with total combined focal range of 15-120mm.


  • 24-290mm Angenieux Optimo T2.8

    Designed for film (compatible with digital), with exceptional optical performance, the 24-290mm offers a massive zoom range, with a 1.4x extender included.


  • 25-250mm Angenieux HR T3.5

    Featuring quality Angenieux optics and a long range in a compact size.


  • 15.5-45mm Zeiss LWZ T2.6

    The new Lightweight Zoom LWZ.2 combines outstanding optical image quality with bright, camera-crew friendly markings and excellent mechanical performance.

    Available as either EF or PL mount type


  • 28-80mm Zeiss Compact Zoom T2.9

    The new Compact Zoom CZ.2 lenses are as versatile as they are powerful and incorporate features never seen before on lenses of this kind. They are handy, compact, ready for 4K and even offer full-frame coverage.

    Available in either EF or PL mount type


  • 16-42mm Angenieux Optimo DP Rouge T2.8

    Designed for use on digital cameras only, the Optimo DP 16-42mm delivers the superior zoom optics, functionality and ergonomics that DP’s demand at an economical price.


  • 70-200mm Zeiss Compact Zoom T2.9

    The new Compact Zoom CZ.2 lenses are as versatile as they are powerful and incorporate features never seen before on lenses of this kind. They are handy, compact, ready for 4K and even offer full-frame coverage.

    Available in either EF or PL mount type


  • 18-80mm Fuji/Arri Alura T2.6

    Optimized for Alexa 2K 16:9 image format, Alura zooms are optically matched to existing Arri prime lenses, and hold consistent contrast, resolution and field illumination across the whole focus and zoom range.


  • 45-250mm Fuji/Arri Alura T2.6

    Optimized for Alexa 2K 16:9 image format, Alura zooms are optically matched to existing Arri prime lenses, and hold consistent contrast, resolution and field illumination across the whole focus and zoom range.


  • 19-90mm Fuji Cabrio T2.9

    The PL 19-90 Cabrio (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible.


  • 85-300mm Fuji Cabrio T2.9-T4

    Similar in size and weight to the Fuji 19-90mm Cabrio lens, the 85 - 300mm features a longer focal length making it ideal for shooting documentaries, nature and wildlife, car commercials, and other demanding production scenarios.

    The Fuji 85-300 offers a focal length of 85-218mm at T2.9 and T4 at 300mm, with 200-degree focus rotation, exceptional optical performance, flange focal distance adjustment, a MOD of 1.2m, a macro function for objects as close as 97cm (38-inches), and covers a 31.5mm diagonal sensor size.


  • 17-120mm Canon T2.95 4K Zoom

    Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation.


  • 15.5-47mm Canon Cinema Zoom T2.8

    The CN-E 15.5-47mm T2.8 L SP (PL mount) rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format, and is engineered to offer superb 4K optical performance for demanding high-end productions, meeting and exceeding industry standards.


  • 30-105mm Canon Cinema Zoom T2.8

    The CN-E 30-105mm T2.8 L SP (PL mount) rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format, and is engineered to offer superb 4K optical performance for demanding high-end productions, meeting and exceeding industry standards.


  • 14.5-60mm Canon Cinema Zoom T2.6

    Canon Cinema zoom series offer extraordinary optical performance for demanding high-end productions. With fluorite, aspherical lens elements and advanced optical design, these unsurpassed PL Cinema lenses are capable of 4K image reproduction.


  • 30-300mm Canon Cinema Zoom T2.95

    Canon Cinema zoom series offer extraordinary optical performance for demanding high-end productions. With fluorite, aspherical lens elements and advanced optical design, these unsurpassed PL Cinema lenses are capable of 4K image reproduction. The telephoto CN-E 30-300mm T2.95–3.7 L S/SP rivals best-in-class zoom magnification and telephoto focal length.

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02 9438 4488

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03 9429 8588

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07 3252 9777