ON SET UPDATES FROM THE 1st AUSTRALIAN FEATURE TO SHOOT WITH RED ONE -

WEEK 3 (17.8 MB Quicktime) / WEEK 3 (18.5 MB Windows Media)
WEEK 2 (16.2 MB Quicktime) / (Windows Media Available soon)
WEEK 1 (15.2 MB Quicktime) / WEEK 1 (15.4 MB Windows Media)
RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body – designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount it allows you to take advantage of the world’s best optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™’s modular design means you can upgrade with us as we add new features, accessories and improve system specifications.
PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE
Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. We deliver 12M pixels at up to 60fps and record wide dynamic range and color space 12 bit native RAW. That’s more than 5 times the amount of information available every second and a vastly superior recording quality. Don’t need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium ™ Super 35mm cine sized (24.4×13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.
RED ONE IS A MODULAR DESIGN
Shoot lightweight EFP style (body around 9 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet.
SPECS:
Dimensions
|
Height 161mm Length 305mm Width 132mm |
Sensor
|
12 Megapixel Mysterium™ |
Physical Size
|
24.4mm x 13.7mm (Super35mm) |
Active Pixel Array
|
4520 (h) x 2540 (v) |
Full Pixel Array
|
4900 (h) x 2580 (v) |
Dynamic Range
|
> 66dB |
Depth of Field
|
Equivalent to 35mm Cine Lenses (S16mm with windowed sensor) |
Acqusition Formats
|
2540p (via RAW PORT™ option)
4K
2K |
Delivery Formats*
|
4K RGB
2K RGB
1920×1080 progressive, RGB or 4:2:2
1280×720 progressive, RGB or 4:2:2 |
Project Frame Rates
|
23.98, 24, 25, 29.97, 30 fps 4K
plus 50, 59.94, 60 fps 2K (windowed sensor) |
Video Preview
|
HD-SDI and HDMI
1280×720 progressive, 4:2:2 |
Digital Media
|
FireWire 800/400, USB-2 and e-SATA interfaces
RED-DRIVE™ hard disk drive (320GB)
RED-RAM™ flash memory drive (64 GB)
REDFLASH™ (CF) compact flash module |
REDCODE™
|
12 bit RAW 4K, 2K (windowed sensor)
1 – 30 fps 4K
1 – 100 fps 2K |
RAW PORT™ Option
|
High speed serial interface
1 – 60 fps 2540p (4K+) |
Audio
|
4 channel uncompressed, 24 bit, 48KHz |
Monitoring Options
|
RED-LCD™ High Resolution Monitor
RED-EVF™ High Resolution Viewfinder |
Weight
|
Around 10 lbs (without lens, battery and viewfinder) |
Construction
|
Aluminum alloy |
*Delivery formats provided by REDCINE™ application software
(one Public Beta license supplied with camera)
|
PLEASE NOTE: Special workflows and licences apply to this camera system. Users are advised to thoroughly test their post path before shooting.
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