The 4" Starlite monitor is an ultra-compact B&W or green-only monitor with a single video/power input, all built into a robust metal housing.
Professional 5" monitor, accepts NTSC, PAL and SECAM. Ideal for body-rig, film and DV applications.
Transvideo 5" Rainbow II SuperBright with Anamorphic is a professional monitor, ideal for on-board camera use, Film and High End DV applications. Truly universal, it accepts NTSC, PAL and SECAM. SuperBright technology offers >700Nits brightness, which increases the LCDs ability to be used effectively in brightly areas.
After taking advice from Directors, Operators, and Assistants, Transvideo created your new 6" CineMonitorIII, a SuperBright. Truly universal, it accepts NTSC, PAL, and SECAM, and is switchable between 4:3, 16/9 and Anamorphic. SuperBright technology offers 1200Nits brightness. Unmatched performance in full sun and amazing robustness make this the ultimate Operator's monitor.
Modified to be powered from 12v XLR and BNC composite in, the Panasonic 7" is a good, lightweight option for SD on-board monitoring.
Sony's precision SD monitor, switchable from 16:9 to 4:3.
Standard Def playback monitor housed in aluminium roadcase.
JB developed this concept in collaboration with Transvideo, and it has been a popular item for filming interviews. The Eye Liner is a rail-mount prompter box with a reflective filter slotted in and a Transvideo 6" SD monitor mounted beneath, aimed at the mirror. The box is then mounted on the camera you are shooting your interview with. Use a seperate camera to film your interviewer's face, then send this video signal to the Transvideo monitor- the interviewer's face will then be looking straight at the interviewee from the camera, giving your subject an 'eye line', and a realistic, conversational performance.