85 filters are used to correct the color of tungsten balanced film when shooting in daylight. The 85 kit includes 85 ND filters 3, 6 and 9.
85 filters are used to correct the color of tungsten balanced film when shooting in daylight.
This combination filter blends the effects of the Schneider True-Pol with the 85 color correction filter.
These filters flare highlights, mute colors, and tone down contrast, while retaining rich blacks. This is a very useful combination of effects for 16mm and 35mm film, as well as for HD and standard video. These are primarily styling, or mood modifying filters. Depending on the grade chosen, they subtly enhance a scene without degrading the image quality or black saturation. Black Frost enables cinematographers to capture blacker blacks than are possible with similar types of filters.
For classic Old-Hollywood close-ups, with image quality for the New-Hollywood. Schneider has developed a subtle and effective softening filter that can be used freely without fear of compromising the high quality of modern lenses.
During stunts which can damage a lens, Schneider Optical Flats protect expensive front elements and other filters while providing the truest image, free of unwanted color shifts.
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.2 (4 stops) and therefore reduces transmission by 94%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
This is a Graduated Neutral Density Filter used for Cinematography. 50% of the filter is clear and 50% has a Neutral Density. The transition from clear to ND is done with a HARD EDGE (HE) transition line. Hard Edge grads lines are used with long focal length lenses where the hard transition line is softened by the long focal length lens. Graduated Neutral Density filters are used to balance exposure within a scene. One very common use is to balance the exposure of sky and earth in a landscape, avoiding overexposed blank white skies.
This is a Graduated Neutral Density Filter used for Cinematography. 50% of the filter is clear and 50% has a Neutral Density. The transition from clear to ND is done with a SOFT EDGE (SE) transition line. SOFT EDGE grads lines are used with wide angle and normal focal length lenses. Graduated Neutral Density filters are used to balance exposure within a scene. One very common use is to balance the exposure of sky and earth in a landscape, avoiding overexposed blank white skies.
A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.