http://www.lemac.com.au/site/DefaultSite/filesystem/images/sigma/35mm_cine_FF.jpg The Sigma Cine Primes range - from 14mm to 135mm - are a set of 7 compact lenses which offer full-frame compatibility and rival high-end prime sets with their superior resolution.

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SIGMA

Sigma 35mm T1.5 Cine Lens

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The Sigma Cine Primes range - from 14mm to 135mm - are a set of 7 compact lenses which offer full-frame compatibility and rival high-end prime sets with their superior resolution.

Available in:

  • PL Mount
  • EF Mount
  • E Mount

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Introducing a complete lineup of fine lenses.

Full-frame compatibility, yet compact. The Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (except the 14mm and 135mm which have a maximum aperture of T2). These seven prime lenses are compact, offer full-frame compatibility, and rival high-end prime sets with their superior resolution. Allowing users to shoot a variety of cuts without lighting changes, the FF High Speed Prime line-up meets all the demands of professional movie creation.

Revolutionary lenses for the era of high resolution digital cinematography

The Performance born of SIGMA's experience in ultra-high megapixel digital photography is now ready to take on every challenge in the world of cinematography. In this modern era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R&D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.

Lineup

Wide focal length coverage

The lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.

Compatibility

Compatibility has been confirmed with each brand of cinema cameras.

Lenses for both S35 and full-frame

The High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.

Strong high-speed lens lineup

T1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.

Build Quality

Lightweight and compact

Leveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.

Dust-proof and splash-proof construction

The lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.

100% metal body

The body is made completely of metal to stand up to tough professional use over the long term.

Luminous paint for enhanced visibility

The specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.

Laser engraving for enhanced durability

Information on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.

Mount

PL, EF and E

Available lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.

Mount with electronic contacts

The mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).

Enhanced EF mount*

The hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.
*Only applicable for Canon EF mount

Image Quality

Inspecting each and every lens

There are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.

Minimization of flare and ghosting

Computer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.

Sharpness combined with outstanding bokeh effect

To fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.

Color balance standardized across the lineup

All of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized color balance makes color correction a snap.

6K-8K class resolution

The lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.

Specifications

Focal Length 14mm 20mm 24mm 35mm 50mm 85mm 135mm
Aperture T2 to T16 T1.5 to T16 T1.5 to T16 T1.5 to T16 T1.5 to T16 T1.5 to T16 T2 to T16
Number of
Diaphragm Blades
9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm)
Close Focus1 0.27m / 11″ 0.276m / 11″ 0.25m / 10″ 0.30m / 1′ 0.40 m/ 1′4″ 0.85 m / 2′10″ 0.875 m / 2′11″
Image Coverage FF Φ43.3 FF Φ43.3 FF Φ43.3 FF Φ43.3 FF Φ43.3 FF Φ43.3 FF Φ43.3
Front diameter 95mm 95mm 95mm 95mm 95mm 95mm 95mm
Filter Size - - 82mm 82mm 82mm 86mm 82mm
Length EF mount2 119.5mm 118mm 95mm 95mm 102mm 126.9mm 114.9mm
E-mount3 145.5mm 144mm 121mm 121mm 128mm 152.9mm 140.9mm
PL mount4 111.5mm 110mm 87mm 87mm 94mm 118.9mm 106.9mm
Weight5 EF mount 1430g 1330g 1110g 1125g 1290g 1425g 1505g
E-mount 1485g 1380g 1170g 1185g 1350g 1470g 1570g
PL mount 1340g 1235g 1025g 1045g 1210g 1345g 1425g
FF6 104.3° 84.0° 73.7° 54.4° 39.8° 23.9° 15.2°
S357 82.6° 63.2° 54.3° 38.7° 27,6° 16.5° 10.4°
APS-C8 80.5° 61.3° 52.6° 37.4° 26.7° 15.9° 10.0°
1 Close focus distance is measured from the image plane
2 Front to EF mount flange
3 Front to E-mount flange
4 Front to PL mount flange
5 Without lens support foot
6 Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5,dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
7 Horizontal angle of view for a super 35 digital cinema camera aperture (aspect ratio 1:1.8,dimensions 24.6 mm x 13.8 mm / 0.97″ × 0.54″)
8 Horizontal angle of view for an APS-C camera aperture (aspect ratio 1:1.5,dimensions 23.7 mm × 15.7 mm / 0.93″ × 0.62″)
The specifications are subject to change without notice.