http://www.lemac.com.au/site/DefaultSite/filesystem/images/atomos/ninja_inferno.jpg Unleash the full cinematic potential of your camera with the Ninja Inferno – the HDR / daylight-viewable 4K recorder and monitor that’s easy and intuitive to use yet brings the broadcast-standard quality that professionals expect.

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Atomos

Atomos Ninja Inferno HDR Monitor Recorder

Item Code: BLO/ATOMNJAIN1

Unleash the full cinematic potential of your camera with the Ninja Inferno – the HDR / daylight-viewable 4K recorder and monitor that’s easy and intuitive to use yet brings the broadcast-standard quality that professionals expect.

Kit Includes:

  • Ninja Inferno
  • Soft Travel Case
  • Master Caddy II Drive Caddy
  • Power Supply

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    $1,425.00
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Unleash the full cinematic potential of your camera with the Ninja Inferno – the HDR / daylight-viewable 4K recorder and monitor that’s easy and intuitive to use yet brings the broadcast-standard quality that professionals expect.

The Ninja Inferno is the secret ingredient to unlock the professional capability of 4K 60p cameras like the Panasonic GH5. Bypass the internal recording limitations and take full advantage of the sensor by recording to the camera's maximum colour accuracy, colour resolution and dynamic range with 4:2:2 10-bit V-Log-L recorded as full I-frame's to high bitrate Apple ProRes or Avid DNxHR. The 10-bit calibrated HDR panel takes the guesswork out of exposing for V-Log-L and is backed up by a suite of professional scopes that can be used even in direct sunlight thanks to the 1500nit panel brightness.

Pipeline to your timeline

The Atomos Rec Play Mon Edit Workflow

Up your game in the field, recording to high resolution ready-to-edit ProRes or DNxHR & confidently monitor or review on the 7"" calibrated 1500nit 10-bit HDR screen using the suite of scopes. 

Finish the shoot and forge ahead in the editing suite - just drop your files directly onto the timeline, use XML tagging from the field and even take a PQ / HLG signal from your Mac or PC to use the Ninja Inferno as a HDR grading reference.

Professional Connectivity

Power, Video & Audio that won't let you down

The rugged case with built-in armour houses an arsenal of professional connectivity including full size HDMI 2.0 for signals up to 4K 60p, a HDMI output for playback or play-out to a view finder or other monitors, a hot swappable dual battery system for continuous power backed up with DC mains connectivity, auto HDMI start/stop recording trigger from selected Canon, Sony, Panasonic and Nikon cameras and even conversion of interlace video from your camera to progressive with built-in 3:2 and 2:2 pulldown.

High resolution, High bit rate recording

4K60p 10-bit Pro-Res & DNxHR

Recording 4K 60p within the camera might seem enough but recording with the wrong codec restricts flexibility in post and even risks having your footage technically rejected. Ninja Inferno records direct from the sensor as full individual frames just like film to 4K 60p Apple Pro-Res or Avid DNxHR with 10-bit colour information and precise yet efficient 4:2:2 colour encoding.

Monitor Log in HDR

Take the guesswork out of exposing Log

Recording Log captures the full dynamic range of the sensor but the washed out nature of Log makes judging exposure difficult. AtomHDR, with 10+ stops of dynamic range and a patented HDR waveform & slider, removes the exposure guesswork with Log by accurately displaying the final HDR result in real time. With a correctly exposed Log recording, you can grade for HDR delivery or as Rec709 with significantly less noise.

High Bright for Outdoor shooting

1500nit bright, daylight viewable monitor

The 7" 1920 x 1200 monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 1500nit screen at almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam and director’s monitors, delivering a crisp 4K image without the bulk and viewing angle restrictions of a sun hood.

Playback review with Clients & Crew

Onboard playback and play-out to larger HDR or Rec709 monitors

By combining a recorder and monitor, directors and clients can review shots away from the camera complete with playback control, XML tagging for favourite collation, play list generation and even play out to larger SDR or HDR monitors with support for Rec709, PQ or HLG.

Choose the SSD to suit your workflow

Media solutions that are affordable, time saving and convenient

The Master Caddy system is our secret weapon for recording media flexibility. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times, G-Technology have a custom Atomos caddy that integrates directly into their EV series of Raid and desktop solutions and the Angelbird 4KRAW series integrates heat sinks and a release grip into a custom Atomos caddy for high frame rate 4k60p recording.

Weight
Without batteries & media 709g
25.0oz
With batteries & media 1153g
40.7oz
Dimensions (W x H x D mm) 214 x 127 x 45mm,
8.4 x 5 x 1.8
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armour protection
Power
Operating power 10 - 24W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) 5200mAh - up to 1.5hrs (monitor & record 4K)
7800mAh - up to 2.2hrs (monitor & record 4K)
DC In 1 x DC in (6.2 - 16.8V)
Continuous power * Patent pending Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Touch Screen
Size 7.1
Resolution 1920 x 1200
Brightness 1500NITS / cdm2
PPI 325
Aspect ratio 16:9 native
Colour gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Frame Guides 4:3, 16:9, 2.40,2.35,1.9, 1.85, Cross hair, action/title safe areas
Anamorphic De-Squeeze 2x 4:3, 2x, 1.5x and 1.33x
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Calibration Calibration in factory InField Calibration with Optional Calibrator
Free Calibration Software download provided
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Fuji F Log,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
HDR input (PQ/HLG) Yes / Yes
HDR output (PQ/HLG) Yes / Yes
Video Input
HDMI 1 x HDMI (2.0a)
Signal Uncompressed true 10-bit or 8-bit to 10 bit 422 sampling (camera dependent)
Video output (play out)
HDMI 1 x HDMI (2.0a)
Signal Uncompressed true 10-bit or 8-bit to 10 bit 422 sampling (camera dependent)
Supported loop out formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*, 4KUHD 24/25/30/50/60, 4KDCI 24/25/30/50/60
Supported formats (Record & Playback)
4K DCI 4KDCI 24/25/30/50/60
4K UHD 4KUHD 24/25/30/50/60
HD - high frame rate 1080p120, 1080p60/50
HD 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50
4K UHD downscale for HD monitoring Yes - loop-out & playback
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Realtime hardware encoding
4K-DCI 4096x2160 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
DNxHR:HQX, HQ, SQ, LB
4K-UHD 3840x2160 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
DNxHR:HQX, HQ, SQ, LB
1920x1080 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
DNxHD: 220x, 220, 145, 36
On-Board Processing
Pulldown removal 1080pSF 24/25/30pSF > 24/25/30p (2:2 pulldown) 1080i 60 > 24p (3:2 pulldown)
4K DCI to UHD convert On HDMI Loop out REC & Playout
4K UHD to HD down convert On HDMI Loop out REC & Playout
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
Analog Audio in 2 x Channel via Optional XLR break out cable Line in / Mic in
Analog Audio out 2 x Channel via Optional XLR break out cable / Headphone out 2ch 48kHz 24-bit
Remote start/stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
Atomos Open TriggerStandard supported by Panasonic, Ikegami, JVC, Samsung
Other LANC control - Slave
Timecode
HDMI Embedded Timecode from Camera or video device
Supported Protocols - Canon, Sony, Atomos Open Standard
Atomos Open TriggerStandard supported by Panasonic, JVC, Samsung
Playback
Playlist Yes (custom selection, Favourites with subclip creation or Both)
Playback options Loop in & out markers
Recording
Pre Roll record Yes (HD 8s, 4K 2s frame rate dependant)
Custom time lapse Yes
Keyframable up to 10 video and single frame Intervals, Can be triggered from internal clock.
Meta data tagging Yes (10 internal tags available)
Favourite, Reject, Talent 1, Talent 2, Over Exposed, Colour Correct, Bad Audio, Cut Away, Close up, Wide Shot
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Master caddy dock 2.5 SATA to USB 2.0/3.0 (optional accessory)
up to 450MB/s Read/Write
Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible)